Category: Blog

Psalm 23


Listen to Psalm 23 being sung by Quire Cleveland under Artistic Director Ross W. Duffin, singing at Historic St. Peter’s Church in downtown Cleveland.  This is a 1 minute, 37 second YouTube video.  Enjoy!
“The earliest version of the Bay Psalm Book to include actual music was the ninth edition of 1698, with the settings there taken from the (musical notation that was in the) 1671 Psalms & Hymns (book) of John Playford. For Psalm 23 (as with the other psalms), the Bay Psalm Book just prints the tune (in this case, Canterbury) with Playford’s bass line, but in fact, Playford’s setting (musical notation) is for four voices, and that is what (this group) have used as the ‘implied’ harmonization.”


I make replicas of both the 1640 Bay Psalm Book, aka The Whole Booke of Psalmes Faithfully Translated into English Metre. Whereunto is prefixed a discourse declaring not only the lawfulness, but also the necessity of the heavenly Ordinance of singing Scripture Psalmes in the Churches of God and John Playford’s 1697 Psalter,  The Whole Book of Psalms With The Usual Hymns and Spiritual Songs. With all the Ancient and Proper Tunes sung in Churches, with some of the Later Use. Composed in Three Parts, Cantus, Medius, & Bassus: In a more Plain and Useful Method than hath benn formerly Published.


You can purchase my last Bay Psalm book on my Etsy page at the following link:


You may also purchase one of my two last Playford Psalters on my Etsy page at this following link:



You can learn more about both either of these book and see how I hand bound each using period binding techniques on my web site at the following link:




Period Psalm for the Day: Psalm 28:7

“The Lord is my Strength & my Shield My heart trusts in him” ~ Psalm 28:7 from the powder horns above.

“The Lord is my strength and my shield, my heart trusted in him, and I am helped: therefore my heart greatly rejoyceth, and with my song will I praise him.” Psalm 28:7 You can find this 1715 Psalm toward the back of our full size 1733 New Testament.

“He is my shield and fortitude, my buckler in distress. My heart rejoyceth greatly, and my song shall him confess”. You can find this 1720 Psalm toward the back of our pocket size 1733 New Testament.

The 1715 Psalms reads: “The Lord is my strength and my shield, my heart trusted in him, and I am helped: therefore my heart greatly rejoyceth, and with my song will I praise him.” You can find this Psalm in our 1715 Old Testament.

In our 1734 Book of Common Prayer, Psalm 28:7 reads entirely differently. “The Lord is my strength, and my shield, my heart hath trusted in him, and I am helped: therefore my heart danceth for joy, and in my song will I praise him.”

Our original 1734 Book of Common Prayer came with another book of Psalms in the back that we are in the process of scanning and cleaning up. Psalm 28:7 in this original 1735 Sternhold & Hopkins Psalms reads, “He is my shield and fortitude, my buckler in distress: My heart rejoiceth greatly, and my song shall him confess”.

Our replica of the original 1640 Bay Psalm Book reads: “God is my strength, my shield, in him my heart did trust, & helpt I was: Therefore my heart will gladnes shew, and with my song I’le him confesse.” This is from our replica of the “The Whole Booke of Psalmes…”, aka The Bay Psalm Book.

Our replica of our original 1697 Psalm & Hymns book by John Playford reads: “He is my shield and fortitude, my buckler in distress: My hope, my help, my heart’s relief, my song shall him confess.”

I bet you had no idea that we make replicas of all these Psalm books, aka Psalters.

Jesus is coming back soon!!!

This is my original Playbill, “By Command of the King of Kings…”


This broadside was designed to be pasted up beside the various theatre playbills in the popular New York City theater district between 1800 and 1810.  Its intent was to “divert the minds of the dissipated and gay from the vain Amusements of the Theatre, and instead, to fix their attention to the awful Circumstances which shall usher in and succeed THE GREAT AND TERRIBLE DAY OF THE LORD.”  I have seen the Rev. John Wesley and his Methodist friends credited for the creation and circulation of this broadside and others like it. The first record I have found for this type playbill is from 4 June 1774 in London.  I think that similar playbills were printed and used in England and the United States for at least three decades.  This play bill was printed by G. & R. Waite, at No. 64, and No. 38 Maiden Lane in New York City, sometime between 1800 and 1817.  Historic documents such as this broadside allow us a glimpse into the morality and social conventions of the era which we try to recreate. I think that this playbill would be a great conversation starter displayed at your next event. Just one more tool as we continue to fish for men.


I make a replica of this original Playbill and Wesley’s 1774 Playbill, which Wesley commissioned and pasted up in London’s Theater District in 1774.  Both are among the 100+ files that you will receive when you purchase my “10 gig Pamphlet Memory Stick” at the following link:



See the transcription of this playbill below.


By command of the King of Kings, (a) and at the desire of all who love his appearing, (b) at the Theatre of the universe, (c) on the eve of time, (d) will be performed, The great assize, or day of judgment. (e) The Scenery, which is now actually preparing, will not only surpass every Thing that has yet been seen, but will infinitely exceed the utmost Stretch of human Conception (f). There will be a just Representation of all the Inhabitants of the World, in their various and proper Colours; and their Customs and Manners will be so exactly and so minutely delineated, that the most secret Thought will be discovered (g). For God shall bring every Work into Judgment, with every secret Thing, whether it be Good, or whether it be evil. Eccles. xii. This Theatre will be laid out after a new Plan, and will consist of Pit and Gallery only; and, contrary to all others, the Gallery is fitted up for the Reception of the People of high (or heavenly) Birth (h), and the Pit for those of low (or earthly) Rank (i). – N. B. The Gallery is very spacious (k), and the Pit without Bottom (l). To prevent Inconvenience, there are separate Doors for admitting the Company; and they are so different, that none can mistake that are not wilfully blind. The Door which opens into the Gallery is very narrow, and the Steps up to it are somewhat difficult; for which Reason there are seldom many People about it (m). But the Door that gives Entrance into the Pit is very wide, and very commodious; which causes such Numbers to flock to it, that it is generally crowded (n). – N. B. The strait Door leads towards the Right-Hand, and the broad one to the Left (o). It will be in vain for one in a tinsel’d Coat and borrowed Language to personate one of high Birth, in order to get Admittance into the upper Places (p); for there is One of wonderful and deep Penetration, who will search and examine every individual (q); and all who cannot pronounce Shibboleth (r) in the Language of Canaan (s), or has not received a white Stone and new Name (l), or cannot prove a clear Title to a certain Portion of the Land of Promise (u), must be turned in at the left Door (w). The Principal Performers Are described in 1 Thess. iv. 16. – 2 Thess. i. 7, 8, 9. – Matt. xxiv. 30, 31. – xxv. 31, 32. – Daniel vii, 9, 10. – Jude 14. 15. – Rev. xx. 12 to 15, &c. But as there are some People much better acquainted with the Contents of a Play-Bill than the Word of God, it may not be amiss to transcribe a Verse or two for their Perusal. “the Lord Jesus shall be revealed from Heaven with his mighty Angels, in flaming Fire, taking Vengeance on them that obey not the Gospel, ” but “to be glorified in his Saints. A fiery Stream issued and came forth from before him: A thousand thousands ministred unto him, and ten thousand Times ten thousand stood before him: The Judgment was set, and the Books were opened; and whosoever was not found written in the Book of Life was cast into the Lake of Fire.” Act First of this Grand and Solemn Piece Will be opened by an Arch-Angel, with the Trump of God (x). For the Trumpet shall sound, and the Dead shall be raised. 1 Cor. xv. 52. Act Second Will be a Procession of Saints in White (y), with Golden Harps, accompanied with Shouts of Joy, and Songs of Praise (z). Act Third Will be an Assemblage of all the Unregenerate (a). The Music will consist chiefly of Cries (b), accompanied with Weeping, Wailing, Mourning, Lamentation, and Woe (c). To conclude with an Oration by the Son of God. It is written in the 25th of Matthew, from the 34th Verse to the End of the Chapter; but for the Sake of those who seldom read the Scriptures, I shall here transcribe two Verses: “then shall the King say to them on his Right-Hand, Come ye blessed of my Father, inherit the Kingdom prepared for you from the Foundation of the World: Then shall he say also unto them on the Left-Hand, Depart from me, ye cursed, into everlasting Fire, prepared for the Devil and his Angels.” After which the Curtain will drop, Then, O to tell! John v. 28, 29. – – Some raised on high, and others dom’d to Hell! Rev. v. 8, 9. – xiv. 3, 4. – – These praise the Lamb, and sing redeeming Love, Luke xvi. 22, 23. – – Lodg’d in his Bosom, all his Goodness prove:-xix. 14, 27. – – While those who trumpled under-foot his Grace Matt. xxv. 30. – 2 Thess. i. 9. – Are banish’d now for ever from his Face; Luke xvi. 26. – – Divided thus, a Gulph is fix’d between, Matt. xxv. 46. – – And (everlasting) closes up the Scene. Thus will I do unto thee, O Israel; and because I will do this unto thee, prepare to meet thy God, O Israel. Amos iv. 12. Tickets for the Pit, at the easy Purchase of following the vain Pomps and Vanities of the fashionable World, and the Desires and Amusements of the Flesh (d): To be had at every Flesh-Pleasing Assembly. If ye live after the Flesh ye shall die. Rom. viii. 13. Tickets for the Gallery at no less Rate than being converted (e), Forsaking all (f). Denying Self, taking up the Cross (g) and following Christ in the Regeneration (h): To be had no where but in the Word of God, and where that Word appoints. He that hath Ears to hear let him hear. And be not deceived: God is not mocked. For whatsoever a Man soweth, that shall he also reap. – Matt. xi. 15. – Gal. vi. 7. N. B. No Money will be taken at the Door (i), nor will any Tickets give Admittance into the Gallery, but those sealed by the Holy Ghost (k), with Immanuel’s Signet (l). Watch therefore; be ye also ready; for in such an Hour as ye think not, the Son of Man cometh. Matt. xxiv. 42, 44.

period pamphlets

Jeff Talley & I are known for passing out free pamphlets at every event that we attend. This is a photo taken of us teaching reenactors, at the Red River Meeting House in Logan County, Kentucky, about our pamphlets.

We recommend that you make your own period pamphlets and pass them out at events like we do. Purchase our “8 gig Pamphlet Memory Stick” from our Etsy page at the following link: It has around a hundred different pamphlets that we make, plus other things.

1756 do-si-do Bible

This 1756 Bible is covered in goatskin and has metal clips to hold it together when closed.  This is an interesting way to bind a Bible.  This type binding is called “do-si-do”.  Google says that, “A do-si-do book, like the square dancing move with your partner, swings between two signatures. These books are like two books in one and are excellent for dual purposes, like drawings and notes, or double themes like opposites or pairs.”  I may try this someday when I get bored.  That’s code for never.

The Easter story from our Hieroglyphick Bible

The story of Easter from our A Curious Hieroglyphick Bible, or, Select passages in the Old and New Testaments, represented with emblematical figures, for the amusement of youth : designed chiefly to familiarize tender age, in a pleasing and diverting manner, with early ideas of the Holy Scriptures : to which are subjoined, a short account of the lives of the Evangelists, and other pieces, illustrated with cuts book.